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  Praise for The Importance of a Piece of Paper:

  “In Jimmy Santiago Baca’s haunting story collection, intricate family dramas... play out against the luminous, wide-open backdrop of New Mexico.... These debut stories are redolently, lyrically, evocative of their setting.... Throughout, Baca’s prose remains as light-saturated and unsentimental as the rugged terrain—both geographical and human—that The Importance of a Piece of Paper charts with cartographical precision.”

  —Mark Rozzo, Los Angeles Times

  “With his first venture into short fiction... Baca has enriched the genre and exposed another facet of his multidimensioned literary talent.... Baca renders the passion of the people and the beauty of the terrain in the same kind of vivid, robust language that characterizes his uncompromising poetry.”

  —Cecil Johnson, The Philadelphia Inquirer

  “Inspirational, tragic, and redeeming... Baca provides moving poetic imagery and unleashes his gift for finely crafted sensory details.”

  —Lorenzo Chavez, Rocky Mountain News

  “[Baca] speaks the truth through the people in his stories.... You can visualize him sitting with pen and pad in hand, sketching out a painful memory from his childhood.... The ideas are solid, especially when he... writes what he knows and stays true to himself and his experiences.”

  —Julie Ann Vera, The Albuquerque Journal

  “[Baca’s] writing has a surreal touch, occasionally blurring boundaries between the seen and the unseen, a quality that feels consistent with his bloodlines. An insistent theme of redemption blends with an unexpected lyrical tenderness, confirming that even in the harsh landscape of his stories, Mr. Baca sees a horizon of hope.... Understanding can bridge a cultural divide, he implies, and he uses his well-chosen words to point the way.”

  —Tony Beckwith, The Dallas Morning News

  “[Baca] continues to mine his experience, exploring conflicts between the rich traditions of Chicano culture and a modern world impatient with them.... His imagery. . . is always striking.”

  —Joan Keener, Entertainment Weekly

  “Set in the writer’s home state of New Mexico, many of the Mexican-American characters struggle with a yearning to be loyal to family and culture while at the same time coexisting in a mainstream society.... The stories transport the reader to a vividly drawn world where nature and animals come to life and marginal yet tender characters make their way in the world, searching for family.”

  —Sandra Marquez, Hispanic Magazine

  “A collection of short stories that show the full dynamics and complexities of real life... Jimmy Santiago Baca’s writing is about such struggles and about the degree to which loneliness makes people do things that hurt one another.”

  —Roger Soder, Phi Delta Kappan

  “The Pushcart Prize–winning memorist and poet returns to the barren New Mexico landscape, troubled families, outlaw gangs, and despairing orphanages of his youth.... Vivid, horrific, visionary, disarmingly sentimental tales: let’s hope for a novel to follow soon.”

  —Kirkus Reviews (starred review)

  “Paints a picture of Chicano life that is at once cruel and sweetly redemptive... Baca has the ability to convey much in few words, and his precise use of detail delivers small, startling truths.”

  —Publishers Weekly

  “[An] insightful anthology... Baca focuses on the shattered dreams of the underprivileged who struggle to make something of themselves without forfeiting their humanity.”

  —Jack Shreve, Library Journal

  “[Baca] writes poignantly about the sacrifices of mothers, the disappointments of family, and the heartbreaking losses of life, and is somehow able to merge life’s wear-and-tear quality with its power to transform.... Baca has the potent ability to depict truths behind stereotypes, and speaks up for those who often have no voice. Surely this insightful collection will make people listen.”

  —Janet St. John, Booklist

  The Importance of a Piece of Paper

  ALSO BY JIMMY SANTIAGO BACA

  A Place to Stand: The Making of a Poet

  Healing Earthquakes: Poems

  C-Train and Thirteen Mexicans: Poems

  Black Mesa Poems

  Martin and Meditations on the South Valley

  Immigrants in Our Own Land and Selected Early Poems

  Working in the Dark: Reflections of a Poet of the Barrio

  The Importance of a Piece of Paper

  JIMMY

  SANTIAGO

  BACA

  Copyright © 2004 by Jimmy Santiago Baca

  All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without permission in writing from the publisher, except by a reviewer, who may quote brief passages in a review. Any members of educational institutions wishing to photocopy part or all of the work for classroom use, or publishers who would like to obtain permission to include the work in an anthology, should send their inquiries to Grove/Atlantic, Inc., 841 Broadway, New York, NY 10003.

  Published simultaneously in Canada

  Printed in the United States of America

  Baca, Jimmy Santiago, 1952–

  The importance of a piece of paper / Jimmy Santiago Baca.

  p. cm.

  Contents: Matilda’s garden—The three sons of Julia—The importance of a piece of

  paper—The Valentine’s Day card—Enemies—Mother’s ashes—Bull’s blood—Runaway.

  eBook ISBN-13: 978-1-5558-4891-0

  1. Hispanic Americans—Fiction. 1. Title

  PS3552.A254I49 2004

  813′.54—dc22 2003057089

  Grove Press

  an imprint of Grove/Atlantic, Inc.

  841 Broadway

  New York, NY 10003

  Contents

  Matilda’s Garden

  The Three Sons of Julia

  The Importance of a Piece of Paper

  The Valentine’s Day Card

  Enemies

  Mother’s Ashes

  Bull’s Blood

  Runaway

  The Importance of a Piece of Paper

  Matilda’s Garden

  The day after they were married, Guadalupe drove Matilda in his old, flatbed farm truck, rattling down the long potholed and gullied dirt road, and parked in a field his family used for grazing livestock. He described the house he was going to build for her. It would be of adobe, with hardwood floors; the living room windows would face east with a view of the Sangre de Cristo Mountains; the kitchen would look out on the sheep sheds, hay barn, and tractor shed; the pantry and enclosed back porch would be divided by an archway separating them from the kitchen.

  When they got out of the truck, he continued to gesture where the solid-core cedar back door would be, how it would open to the west and north fields, and how the three bedrooms would look out on the mesa to the south. The entire house would be heated by two wood stoves. To the east, he would dig a ditch from the acequia madre, or “mother ditch,” which had water in it year-round, run it through the property, and build a small pond and bridges where the ditch meandered through the yard into the orchard and pastures.

  As he talked, Matilda became thoughtful as she gazed over the grassy meadows. He was afraid she might be having reservations. She was wearing blue canvas slip-ons, a light green skirt with green nopal cactus patterns, and a white blouse trimmed with red thread. She walked around nimble as a pronghorn deer, turning one way, looking at him, her eyelids squinted, the morning sun reflecting off her raven hair, blazing it to an even darker black. She knelt to sift earth through her palms.

  “Is there
something bothering you?” he asked, perplexed by her sudden distance and worried she might not like his plans.

  She didn’t answer.

  He watched her, awed by the familiar sensation that she seemed more an extension of nature’s trees, grasses, and wild flowers than the offspring of humble parents. He recalled the first time he had seen her, how bored he had been in church that morning, gazing out the windows east to the Sangre de Cristo Mountains. She was singing in the choir for Easter morning services, wearing a knee-length white skirt and yellow ribbons tied to the tips of her long black braids. Light diffused from the stained glass window above the choir loft and bathed her in luminescence. When she sang, the doves fluttered on the window ledge and sunlight turned red and gold and blue as it passed through the glass panels, transforming Matilda into an angel in her descent from heaven, sent to earth to specially bless his heart that morning.

  When he had kissed her the first time after their fourth date, he could taste the fragrance of sage and its indescribable spicy resin on her lips. And when she had caressed his face one evening lying down under an elm tree by the river, her fingers smelled like wild honeysuckle vines. When they went to hear his uncle play violin for the San Pablo fiestas at the church, he danced with her and she moved the way his uncle’s violin bow careened across the strings, firm and elegant, provoking a desire in him to swing her all around.

  Now he studied her walking quietly, biting her red and shapely upper lip: He followed her eyes like a crow staring intently at oval cherries on an uppermost branch. She blended in with the grass and the lush alfalfa’s blue blossoms swaying heavily with the breeze coming in from the Rio Grande river nearby.

  She finally turned. “This whole place will be a garden, and you I will nurture with the utmost love and care.” She came up to him and kissed him. She reached down and picked up two small grains from an ant pile. She held one out to him pinched between her index finger and thumb. “Put this under your tongue, make a wish, and spit it out. The ants carry it to their place of dreams and it will come true.”

  “I already have my dream,” he said, and looped his arm around her waist. He pointed to a huge roadrunner speeding past with a lizard in its beak. It leaped up on a fence post, tail twitching, head jerking in short jabs as it gulped the lizard down.

  That was more than fifty years ago. He had been seventeen years old; she sixteen. Now the old adobe house creaked like an ancient, Mexican garden ornament, built more for flowers to inhabit than humans; the heady aroma of Matilda’s gardens swaddled him in a blanket of heavy, humid sweetness. She was right, of course; she had made the whole farm her garden and nurtured him with her love.

  Flowers and vines spread even into his dreams. Their scent had smoky shapes like blue herons and hummingbirds and parrots, drifting and transforming into cranes as they broke through the dream surface from the depths of his mind and into the reality of another dawn and woke him. He could swear, as his eyes adjusted to the dark in his bedroom, that he saw white wings fluttering midair across the room and he heard Matilda’s voice coming from the field beyond the window.

  He looked at the clock: 4:12 A.M. The chill had come early in late August, leaves tinged yellow, Canadian geese and sandhill cranes migrating south to the Bosque del Apache Wildlife Refuge. He turned over onto his left side, snuggled deeper under the quilt, tucked it under his chin, and pulled back the loose blanket to his left where Matilda used to sleep next to him. He stared at the stone in the place where her head would have been. It was now exactly three months since she had passed away.

  He was crazy to believe she might appear because of the stone, and he knew it. Matilda had found it on one of her hikes to the mesa where she’d go for the seasonal herbs that grew there. The stone was sheared smoothly in half and fit comfortably in the palm of his hand. The cut side had a light blue horizon, a dark brown range of mountain ridges, and a white moon rising over them. For weeks now, after settling himself into bed, he had placed the stone next to him hoping his personal ritual might summon her from the spirit world to visit him briefly. Of course, he didn’t believe it would, but he was certain that these private rites would somehow let her know that he was always thinking about her, and that consoled him.

  Since her death he’d been clutching the stone for hours before sleep, rubbing it with his old, calloused thumb, whispering her name until he fell asleep. He believed he could retain some residue from her sweat or skin on his fingers. It started with the stone, but soon encompassed other of her possessions. Believing that she could feel his contact, he would take her favorite head scarf, hold it to his nose, and breathe in her smell. On one occasion he spent an entire day collecting the strands left in the bristles of the brush she used to comb her long gray hair. He would pray while he held the twisted braid of her hair along his wrinkled lips, sometimes even tasting it. He had finally twined it into a knot and placed it in a small leather pouch she had given him that he wore around his neck for good luck. He lay in bed a moment longer, thinking how strange his behavior had become, and yet it pleased him because it kept him believing he was in touch with Matilda.

  A few weeks before, absorbed with memories of her and desiring a deeper, visual connection, he had decided to construct an altar with her favorite saints—Our Lady of Chestahova, the dark virgin; La Virgen de Guadalupe; San Martin de Porras; and some strange god from India that Matilda loved, Hanuman Ji. He collected everything he could find that belonged to her and set it on the altar. Every morning he rose, and with somber sincerity, sliced an apple and placed the cut pieces on a dish so that her spirit might have something to eat that day. And only after communicating with Matilda through this sacred rite would he begin his day.

  The alarm clock on the bed stand rang and he pushed down the button. He got up and dressed.

  In the last week or so he had been thinking about her last inhalation. In his dreams she was trying to breathe again. Her breath became wild purple lilacs in his mind, their vines curling out everywhere, so real to him he was certain that one day the driveway would brim with them. Wild purple lilacs swinging in the wind, seeds blooming at the front door, tendrils shaking against the window glass, nestled in the crevices, purple petals cascading off the roof. Maybe it was her spiritual self working through these images, creating a bridge from her world to his. All he knew was that somehow she was communicating with him in the way that she loved most, through flowers.

  Without her, it had been difficult for him to respond to other people. Beyond accepting condolences from friends at the cemetery, he’d had no inclination to converse. He let his daughter or one of his sons handle the conversations with people interested in sharing experiences they’d had with Matilda. He found he was comfortable living in a world without them, but not without her. He was there in body but otherwise absent, and he trained his thoughts and feelings on her so intensely that some people attributed his lack of attention to the fact that he was losing his mind.

  He went into the kitchen, flicked on the light, filled the teapot with water, placed a spoon and the jar of instant coffee on the table, and sat down. He opened last Sunday’s newspaper and leafed through it while waiting for the water to boil.

  He scratched his gray stubbly chin as he read the lead article, thinking he wasn’t crazy at all, not compared to the rest of the world. Sixty miles east, in a town called Roswell, Martian-seeking tourists, drawn by rumors of alien spacecraft having landed there, were streaming in by the hundreds to view the extraterrestrials. The writer quoted some of the visitors as saying they had seen spaceships land in their fields or swearing they’d encountered aliens roaming ditches at midnight, suddenly coming up on them walking home alone. As he finished reading the article, he dismissed any lingering fear that he might have had about becoming senile—thinking of his Matilda’s breath exuding from the plants was his way of coping with her absence, and he wasn’t going to bother himself over what others suspected might be happening to him in his sudden isolation and silence. He w
as certain the breathing he heard in places around the farm was Matilda trying to speak her presence to him.

  The day before she had passed away, while sweeping and cleaning the kitchen after breakfast, Matilda had reassured him that she was going to be all right. That Monday evening she took to bed complaining about having trouble breathing. Later, he sat with her in the bedroom and read the Bible, hoping to revive her spirits. They talked and she told him she was expecting to be up in time for morning coffee. After she had fallen asleep, he lingered at the window with his back to Matilda fast asleep in bed behind him.

  Her wrenching gasp interrupted his thoughts and made him turn in fear. She panted forcefully, choking for breath. She sat upright, bulging eyes startled by a seemingly frightening specter hovering above the bed. Her chest rose, neck swelled, teeth clamped in a defiant fight to breathe. He looked around the room, wanting to challenge whatever sight had wrung the life from his sweet Matilda, desperate to strangle it with his age-mottled hands.

  She fell back on the bed, staring up at the plaster ceiling as if some spirit had violently dragged out her breath through her opened mouth, her eyes open wide in frozen terror at its strength and size.

  He had cradled her in his arms, repeating not to worry, he was there, his chin against her matted hair, hollow, gaunt shadows on her fevered face, purple rings around her eye sockets, his hands rubbing her clammy neck, her sweat-drenched nightgown clinging to her bony shoulders. She groaned for all the air in the room, in the house, in the universe. And then, after a time, she sighed her longest, softest exhalation, her breath blowing the curtains and seeming to turn the windmills patterned on them; the alfalfa outside sucked in her breath, the cultivated field soil, the wild green forest by the river, the tractor paths between the chili rows, the rutted road sloping upward toward town from the river bottom, all seemed to inhale her last breath.